Sound Art

A 10-channel system of self-built loudspeakers, Dialettica Liminale (by Nicola Cappelletti), uses the Conicetra sound sculpture (by Mattia Parisse) as a sound source to inhabit the acoustic space, letting the resonant frequencies of the architectural environment emerge through a repeated process of overdubbing the original sound with the echoing resulting sound.

A generative algorithm asymmetrically spatializes the sound with a random temporal granulation thus creating a sound ecosystem sensitive to every minimum timbre variation.

Dialettica Liminale is a commission by Opificio Sonoro.

Evolution 221 is an electroacoustic piece that investigates the relationship between man and nature from an acoustic point of view, investigating the ecological and sustainability aspects of that relation. Written in connection with the sound and visual context of the Pharo Park of the city of Marseille, to be performed only through an headphone concert in the same location, the piece presents an electroacoustic processing of discarded and recycled sound materials, deliberately elaborated to find an ideal acoustic imprint of all the passages and crossings that this place has seen over the centuries: the city, the sea, the port, the view of the horizon lines, the park and the human relationship with nature, make up an ideal sound time lapse through space and time, imposing a reflection on the kind of evolution we are participating in.